A brief intro to wabi-sabi

In western popular culture, Japan is often associated with minimalism: Marie Kondo wants you to reduce your clutter; Muji’s stationery is understated.

This kind of minimalism can rely on symmetry, smooth surfaces, or light colors.

However, at the opposite end of the spectrum exists wabi-sabi. This world view teaches us about life and creativity.

Tea as a catalyst for wabi-sabi

The Oxford dictionary defines wabi as “a quality of austere and serene beauty, expressing a mood of spiritual solitude recognized in Zen Buddhist philosophy.” Sabi refers to “the appreciation of the old and faded (source).”

Both terms existed separately until they coalesced in the 16th century when tea master Sen no Rikyu (1522-1591) redefined the tea ceremony in Japan. Until then, China’s rich and ornate tea culture was the norm. Rikyu designed tea houses and accessories inspired by Japanese farmers’ rustic lifestyle, thus popularizing wabi-sabi.

Wabi-sabi has since been an aspect of Japanese culture (“the quintessential Japanese aesthetic,” according to Leonard Koren).

An illustration of wabi-sabi: Black clay bowl with a rough, irregular shape, and imperfect glazing.
Black Seto Teabowl (Tettsui) Late 16th century. Source: Met Collection (CC0 1.0)

Wabi-sabi as a system

By joining two words that describe a spiritual quality and a material quality, it is not surprising that wabi-sabi represents a complete aesthetic system. Koren in Wabi-Sabi for Artists, Designers, Poets, and Philosophers breaks it down into the following components (quoted in full):

Metaphysical basis

Things are either devolving toward, or evolving from, nothingness.

Spiritual values

  • Truth comes from the observation of nature
  • “Greatness” exists in the inconspicuous and overlooked details
  • Beauty can be coaxed out of ugliness

State of mind

  • Acceptance of the inevitable
  • Appreciation of the cosmic order

Moral precepts

  • Get rid of all that is unnecessary
  • Focus on the intrinsic and ignore material hierarchy

Material qualities

  • The suggestion of natural process
  • Irregular
  • Intimate
  • Unpretentious
  • Earthy
  • Murky
  • Simple

Wabi-sabi and creativity

A lot of what Koren describes can be used as guidelines for a creative practice that suggests intimacy and invites introspection:

Things wabi-sabi are usually small and compact, quiet and inward-oriented. They beckon: get close, touch, relate.

Or help us reject preciousness:

Things wabi-sabi are appreciated only during direct contact and use; they are never locked away in a museum.

Make it your own

Wabi-sabi invites us to look: whether it is at nature, details, or to question ugliness.

Wabi-sabi is a path for self-acceptance, too. We are imperfect, coming from and going toward nothingness.

The balance of the spiritual and the material brings meaning to one’s creative pursuit.

By describing the essence of wabi-sabi, Koren (accidentally?) shares a pearl of wisdom:

Pare down to the essence, but don’t remove the poetry

About Thomas Deneuville

Originally from France, Thomas lives in Central NY, with his family and a couple of bagpipes.

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